The rumored Harry Potter TV series isn’t worth enabling J.K. Rowling’s transphobia.
When rumors of a future Harry Potter television series hit the entertainment world on January 25, they spread fast. According to the Hollywood Reporter, HBO Max and Warner Bros. are exploring their options for bringing the franchise to TV. Both companies were quick to deny it, repeating to Vox and other outlets that they have no plans to produce a Harry Potter series, but the possibility alone was enough to spark all kinds of reactions from Harry Potter fans and former fans.
I must emphasize “former fans,” because J.K. Rowling, the world-famous creator of Harry Potter who was once seen as a vanguard of progressive idealism, earned a new reputation in 2020 as a world-famous transphobe. After Rowling made multiple public transphobic statements, ranging from tweets to a long anti-trans manifesto, her name is now synonymous with “TERF” — trans-exclusionary radical feminism, or the belief that trans women aren’t women and that biological sex is the only factor that determines someone’s gender. Despite being challenged by opposing voices and broken-hearted fans to reconsider her views, Rowling has only redoubled her rhetoric.
That means any discussion of what a new Harry Potter series is or can be has to come with an acknowledgment of Rowling’s transphobia and the problems it creates. New stories of the Wizarding World will likely be a complicated joy for many, and purely painful for many trans people whose lives have been made worse because of Rowling’s influential views. At the very least, new stories will leave many people feeling deeply conflicted about whether they can support or enjoy a new Harry Potter series in the wake of Rowling’s problematic statements.
Since the rumored Harry Potter TV show is still only a rumor, there’s nothing concrete to really say about it; it may not ever get made. But the possibility alone means we have to ask whether a new Harry Potter series can ever be okay. And to answer that question, we have to understand exactly how and why Rowling’s transphobia has tainted the beloved Harry Potter universe, and what possibilities — if any — exist for the Harry Potter franchise to heal some of the hurt its creator has caused.
Rowling’s transphobia is not a one-off or casual thing. It’s vehement and powerful.
J.K. Rowling’s anti-trans sentiments have steadily grown more blatant over the years. Elements of her writing as well as her social media activity have long suggested a growing alliance with anti-trans groups, and some Harry Potter fans have been voicing concerns about Rowling’s stated beliefs since at least the spring of 2018. But it wasn’t until December 2019, when Rowling tweeted in support of a British TERF, that the public caught on more generally.
In June 2020, after that initial moment of attention, Rowling indisputably affirmed her anti-trans beliefs — first in a tweet mocking trans-inclusive language, and then in a lengthy manifesto of nearly 4,000 words. In it, she supports the scientifically flawed and emotionally abusive narrative that “gender dysphoric teens will grow out of their dysphoria,” and suggests that transgender men who experience dysphoria as teens assigned female at birth probably just need to read more feminist literature to get their heads on straight.
Perhaps most distressingly, Rowling’s manifesto perpetuates the dangerous TERF narrative that trans women may really be sexual predators in disguise. Rowling argues that the movement to accept trans women as women is “offering cover to predators” who are at any moment about to perpetuate “male violence and sexual assault.” That’s the kind of hysteria-based rhetoric that’s been used to deny trans people everything from safe bathrooms to workplace equality; hearing it come from a children’s author is pretty horrific.
Rowling’s views received international media attention and backlash, but she wasn’t shamed into silence. Instead, she seemed to get even more outspoken. In August 2020, Rowling returned a human rights award after the president of the presenting association repudiated her transphobic views, claiming that she’d received “thousands of private emails of support” from people “within the trans community” and repeating her assertion that gender identity therapy is dangerous. (It’s not, but the body of research seeking to treat gender dysphoria through non-affirmational methods arguably is.) In September 2020, she promoted a shop selling transphobic merchandise that bears slogans like “transwomen are men” and “fuck your pronouns.”
I think many people still haven’t confronted the depth and the vitriol of Rowling’s transphobia. If they had, we wouldn’t be having a conversation about whether a Harry Potter TV show should exist. I believe that most people — even if they don’t understand the ins and outs of trans identity and gender identity — instinctively know that mocking trans people for their anatomy and disregarding people’s pronouns is cruel. But it’s clearly been difficult for many people who are aware of Rowling’s statements to grasp that this (former) hero to generations of hopeful children is now openly prejudiced toward trans and nonbinary people.
I get how painful it is to accept that. It feels like bereavement; in some ways, it is.
For me, a nonbinary Harry Potter fan who spent over two decades loving Harry Potter, recounting all of this is deeply hurtful, even traumatic. Every new reminder that J.K. Rowling harbors such hateful views toward trans men and women — one of the most vulnerable and endangered marginalized communities — hits me like a slap. It’s a painful betrayal from a creator I loved and trusted; for me, the past year has been, to some extent, a grieving process, about letting go and moving on.
On some level, I can’t help but feel a wistful curiosity about a new Harry Potter series, because I still love the Harry Potter characters and universe. Before the events of 2020, I would have been thrilled by the idea of a Harry Potter series on HBO that could explore more of the complexities and layers of the Wizarding World.
So it’s devastating to also feel that the only appropriate response to the idea of such a series is outright rejection of the entire concept.
Will it ever be okay to make new Harry Potter stories? Probably not.
— Flourish Klink (@flourish) January 25, 2021
For me and many fans like me, a new Harry Potter series would be a source of deep distress. People who choose to buy into it, to speculate eagerly over casting and plots and writing and direction, would be sending a message that they care more about the Harry Potter universe than they do about the fans Rowling has hurt. That kind of discussion would remind us over and over that the fictional magic of Harry Potter matters more, to more people, than all of the real trans fans and allies who have been displaced from participating in that magic by Rowling’s actions, choices, and behavior. Honestly, even seeing tentatively positive reactions to the rumored potential series left me feeling deeply sad and uneasy.
And still — still! — it’s so tempting to ask: If there’s going to be a Harry Potter TV series, is there a way to make it feel like a reclamation for the fans who have been most alienated from the original franchise over the years? Could more Harry Potter ever be okay?
Initially, I thought so.
I thought about how any new Harry Potter story would inject new energy into the fandom, generating new conversations and creative interest. And those fans would have the ability to respond in their own ways. After all, they’ve already been critiquing and reshaping Harry Potter into a better version of itself for decades, through fanfiction and other fan commentary.
But more than that, I thought about how a new series could allow Warner Bros. to openly reject Rowling’s intolerance with a Harry Potter story that embraces inclusivity, diversity, a transformational vision of the world she created. (Again, the company has said it has no plans for a series, but since the rumor is out there, let’s continue with this thought exercise.)
A new series could be our chance to have a trans main character who receives their Hogwarts letter after they discover they can shape-shift into their true form. Desi Harry, Black Hermione, Remus/Sirius or Albus/Scorpius in a queer life partnership, queer and genderqueer wizards running amok. Asian characters whose identities aren’t fetishized, Jewish characters whose identities aren’t trivialized, non-demonized fat characters, non-nuclear, non-heteronormative families everywhere!
The problem is that unless Warner Bros. were to strike an unprecedented deal, none of those transformative elements would be part of a Harry Potter series unless Rowling wanted them to be there. Rowling has always exerted authorial control over her universe and the messages it sends — across the books, across all the Warner Bros. movies (though the movies were written by Steve Kloves, she vetted all of his scripts), and even the Cursed Child stage play, which Rowling collaborated on.
Anything that we respond to and love about a new Harry Potter series will still be something that ultimately came from J.K. Rowling — from the den mother who betrayed us. And given that she’s increasingly embraced mean, reactionary politics in her post-Harry Potter writing, I’m dubious that any new Harry Potter series that gains her approval will contain the open-hearted, optimistic kindness that drew so many people to the original stories.
New Harry Potter can only be a source of ultimate harm unless Rowling lets go of her creative control and cedes her universe to other minds — something I sense she’s very unlikely to ever do, given how much she’s continued to contribute further world-building to the universe over the years, and how unrepentant she has been about how much she’s hurt fans.
And even if Rowling somehow could be persuaded to give up creative control, or even if fans could accept a new series on its own merits, the bottom line is that for many people, any new Harry Potter series would be an unacceptable one — because Rowling would still be profiting from it.
We’ll never be able to deplatform J.K. Rowling. Does that mean we accept the status quo?
Following the rumors of the new series, many fans voiced variants of the same idea — their worry that Rowling would profit from any new Harry Potter series. So she would in essence be profiting from her continued vocal transphobia.
JK Rowling will profit from any and all new Harry Potter-related media. If you spend money consuming that media, you are giving JK Rowling money. That’s it. That’s the tweet.
— Elle M. (they/them) (@ellle_em) January 25, 2021
To be clear, Rowling — a billionaire and the second-highest-paid author on the planet — will continue to make money regardless. Warner Bros. is reportedly continuing with plans for the third movie in the abysmal and baffling Fantastic Beasts series (there will be five films altogether), and Rowling profits from perpetually popular Harry Potter attractions and exhibits at theme parks around the world. And, of course, the original Harry Potter books continue to sell — in fact, in Britain, in the 2020 sales quarters after Rowling posted her transphobic manifesto, sales of the Harry Potter books actually increased.
Given that no amount of social protest is going to dent Rowling’s bank account, perhaps it’s understandable, then, to consider a pragmatic response to a new Harry Potter series. Perhaps the only way to approach the possibility of more Harry Potter is to accept that nothing we do will change the status quo — that J.K. Rowling will always be one of the wealthiest people on earth, no matter how much we wish otherwise, and no matter how much we are aware that she’s actively using her power and influence to promote transphobic messaging. To accept that the consumerist machine that is the Harry Potter franchise is simply bigger than all of our feelings, and bigger than the harm Rowling’s views have brought and will continue to bring to real trans people.
Perhaps, with those realities established, we can proceed to have a critical conversation about what the future of the Harry Potter franchise can and should be.
But reaching that position requires us to accept a lot of things that feel like loss, like defeat. Accepting new Harry Potter means accepting that trans people will be overlooked, will have their concerns and their sorrow pushed aside — by Rowling, by Hollywood, by anyone who continues to work with Rowling and promote or publish her works, and by the society that has yet to repudiate her into obsolescence. When we use words like “marginalized” to describe trans communities and other vulnerable communities, this is exactly the kind of thing we mean. This is marginalization in action.
It’s possible that Rowling has been so confident about her transphobic opinions, despite all the pushback she’s received, because she is the author of Harry Potter. That is, it’s possible she feels like her voice as the author of Harry Potter simply outweighs everything else — even objective science, even trans people saying, “You’re hurting us, please stop.” Still, the initial wave of backlash against Rowling was significant. Most of the media coverage and popular debate around Rowling framed her views as abhorrent.
But if Warner Bros. makes a new Harry Potter series — if anyone makes a new Harry Potter anything — it will clearly broadcast the message that Rowling’s views aren’t abhorrent. That you can demonize trans people as mentally ill sexual predators and still continue to have a voice, a career, tremendous social influence.
It’s arguable even now that the legacy of Harry Potter is larger than any single thing Rowling can do to diminish it. But it’s certainly not large enough to outweigh or override the negative impacts of Rowling’s viewpoints. If Harry Potter himself could become flesh and blood, it seems clear that he’d argue that more Harry Potter stories should never take precedence over real trans lives.
But Harry Potter is fiction. And if a new Harry Potter series ever happens, its mere existence will convey that the books’ core tenets of promoting tolerance, love, equality, and resistance are ultimately just a fantasy.
Author: Aja Romano